The Lacis Museum Newsletter
March 7, 2009

Dear Friends of LMLT,

We hear of the hot weather in Idaho while here, in the Bay Area, we soak in the cool Summer weather, a rare rain this week, and a focus on our unique Summertime. Time for travel and time to visit and spend time at  LMLT where brides and lace and joy support  the smiles found today in so few places.

As our Exhibit “AS THE CENTURY TURNS” absorbs the attention of our visitors (see continuing events below), our energies are moving toward our next major lace exhibit, “BOBBIN LACE”, opening  September 26.   As with our other exhibits, we try and look at our subjects in a more unusual and intimate way...a way only possible within the physical parameters of LMLT.
In view of the complexity and broad scope of the subject, we will be including a short essay in each newsletter on some of the many aspects of bobbin lace for the purpose of, when the exhibit does open, you and bobbin lace already being friends.

 
BOBBIN LACE

A HYPOTHESIS

Bobbin Lace, one of many techniques for making lace, represents a little understood connectivity between the soul of man and a universal natural order. Much like the geometric design of a snowflake is a creation of nature, governed by natural  laws, so bobbin lace, likewise, is governed by these innate laws but is now the creation of man.

Developed as a natural evolution of plaited threads, as characteristic of any loom weaving, or finger manipulated bands, the creation of openwork patterns was destined to reach the ultimate potential of thread manipulation. The uniqueness of bobbin lace is the allowing the working with free-ended threads of unlimited numbers.

When we examine the early examples of bobbin lace, it is evident that it developed independently and simultaneously in many different areas, much like the magical Spring day when blossoms appear everywhere. A connectivity that is only now being understood as common to all living organisms. In a world where isolation was the norm, it is quite amazing to see this development. Each area where bobbin lace took root, had this commonality, and yet sought to protect not only its own designs and stitches, but the bobbins and pillows, the necessary tools of this craft.  To his day, many of  the styles and tools persist with the understanding that to make a specific lace, you must use the specific bobbins, pillows and thread traditionally associated with this lace. Using Danish bobbins to make an English lace is unthinkable.

Images of a bobbin lace edging (Binche) and a diagram of the order formoing the nodes (Art and Craft of Old Lace by Van Hanneberg). The concept explained in the next newsletter.

     

 
NEW ITEMS

For a different approach to bobbin lace, the shop now stocks a wide color range, including non-tarnishing gold and silver, of  32ga enameled copper wire, soft tempered, specifically for lace making. The wire is easily worked, requiring only a small screw eye fitted to the top of the bobbin.  Maria will have examples of some of her work with wire at he next Bobbin Lace Group meeting on Saturay June 20 (the third Saturday of each month).

 


NEW BOOKS

Two new Cantu Bobbin Lace collections from Italy are now available, MOTIVI PER PIZZI DI CANTU #183, a portfolio of heat transfer patterns for edgings, corners, linens and ecclesiastic  motifs and PIZZO CANTU # with designs for table and home dec. Cantu is a traditional Italian lace worked in a connected tape manner, requiring only 10 bobbin pains, easily worked by beginners.

  
             


PUNTI A GIORNO #5 is the newest in the drawn work series from Maini di Fata. Color is introduced into the traditional whitework technique.

RICAMI HARDANGER is a first for Mani de Fata and expands their counted thread techniques to the traditions of Norway . Clear diagrams and graphics for a variety of home dec projects.

ALTE TECHNIK NEU ENTDECKE: KUNST-UND SPITSENSTRICKEN IN DER ZEIT VON 1840 BIS BEUTE, Ursula Bernert. From Editha Fischer Verlag a rare guide to the history of knitted lace from the 1840s to the 21st c. and the people that made it happen with works by Thetesa de Dillmont, Erich Engeln, Herbert Niebling, Ulla Bernert, Christine Duchrow and others. Pictures but no patterns. German text.



Continuing Events

As the Century Turns,” our exhibit featuring scenes from daily life during the Belle Epoque, invites viewers to step into the world of the Gay ‘90’s. Emphasizing the contemporary clothes, laces and artifacts. The exhibit is presented as a series of tableaux, each focusing on the different aspects of the new “adventerous” life styles such as women going to work, bicyling and automoble touring. Highlighting the exhibit with a bit of glamour are the period lifelike wax headed articulated mannequins graciously loaned by Ellen Thompson, a longtime friend of Lacis, a member of the LMLT Board of Directors, doll maker and proprietor of Making Memories Doll Patterns.
 
This lovely and lively exhibit will be available during regular museum hours, from noon to 6 p.m., Mondays through Saturdays, until August 1, 2009. We are always happy to welcome groups, so let us know if you’d like to bring your class or group for a special tour. Please call Erin at the museum shop, (510) 843-7290 to make arrangements.
As an adjunct to this exhibit, there is a display of the needlework and sewing tools of this period ranging from exquisite chatelaines to the elaborate drafting tools for the seamstress and even the early sewing machine.   


 
Classes

HOW TO MAKE AND DECORATE BUSTLE ERA AND LATE VICTORIAN STRAW HATS with Lynn McMasters, June 13 and 20

In the first session students will learn how to sew straw plait (braid) together on a sewing machine to make one of 5 slightly different hats. At the end of this session Lynn will help students come up with a design and materials list for finishing up their hats.
 
In the second session she will teach the different techniques needed to decorate their hats, covering such things as adding silk flowers over a large area of the hat without adding glue to the hat, dealing with feathers (how to join and curl them and how to add them to your hat), how to use netting on hats to add fill, and how to use fine wire to make ribbon loops.
 
Details on all classes and registration information are available on our website at http://lacismuseum.org/classes.html. Registration forms are also available at the Museum shop.



Lace Groups at LMLT
LACIS LACE KNITTING GROUP
Lace knitters of all skill levels are invited to join the Lacis Lace Knitters, a flourishing and friendly knitting family that meets once a month to share, show-and-tell, occasionally commiserate, congratulate, and always encourage each other through knitting thicks and thins. Bring along a current project and join us this Saturday, June 6 (the first Saturday of every month0 from 1 to 3.

BOBBIN LACE GROUP
Meeting on the third Saturday of each month from 1 - 3, all are welcome to learn, share and encourage. If curiosity persists, we would encourage participation in the more formal bobbin lace classes by Maria Maria Jose Munoz. The monthly group is hosted by Maria and Beth Lysten, a talented and enthusiastic lacemaker from South Africa.
 
Details on all groups are available on our website at http://lacismuseum.org/classes.html.


Lacis Museum of Lace and Textiles
2982 Adeline Street
Berkeley, CA  94703

http://lacismuseum.org/

at Ashby & Adeline St., adjacent to the "Ashby" BART Station
Hours: Monday thru Saturday 12:00 - 6:00 pm
tel: 510-843-7290